Publisher: Feiwel & Friends
Release date: May 10th 2011
Twelve-year-old September lives in Omaha, and used to have an ordinary life, until her father went to war and her mother went to work. One day, September is met at her kitchen window by a Green Wind (taking the form of a gentleman in a green jacket), who invites her on an adventure, implying that her help is needed in Fairyland. The new Marquess is unpredictable and fickle, and also not much older than September. Only September can retrieve a talisman the Marquess wants from the enchanted woods, and if she doesn’t . . . then the Marquess will make life impossible for the inhabitants of Fairyland. September is already making new friends, including a book-loving Wyvern and a mysterious boy named Saturday.
With exquisite illustrations by acclaimed artist Ana Juan, Fairyland lives up to the sensation it created when the author first posted it online. For readers of all ages who love the charm of Alice in Wonderland and the soul of The Golden Compass, here is a reading experience unto itself: unforgettable, and so very beautiful.
When September is whisked away by the Green Wind and the Leopard of Little Breezes, she expects to find the Fairyland of her dreams, a world filled with fairies and adventures. The reality of the realm is different from anything she could have expected. The ruler of Fairyland is a young girl who has revealed herself as a tyrant not long after taking the crown. Every creature in Fairyland fears her and does her bidding, although bitterly. September takes it upon herself to free them from the Marquess's grasp, but it is harder than they say in the stories.
And it is not only that that the stories have wrong. The creatures are all different from tales, and the rules are so many it is impossible for anyone to wrap their heads around it. Not that it matters. All September wanted was an adventure, and one she shall have.
It should first be said that the imagination in this book is out of this world. The worldbuilding is solid and vast. There are rules to Fairyland that in their nonsense make the most perfect sense. For why should not a library and a wyvern breed wyverarys? Why should not witches need a spoon and special clothes to see what they wish in their cauldrons? And why, pray tell, would a marid not meet their children before having even found their partner? Well, perhaps it sounds a bit odd, but read the book and you will soon see it is not.
Most of all, that is due to one very simple thing: the language. Valente is an artifice. The writing is humorous, magical, and, most of all, unique. It has been a while since I found a book with such a strong, marvellous voice that will convince you of anything and everything. It puts many writers to shame. There are hundreds of passages I could quote as proof, but picking them would be a herculean task as it would be too easy to dump the entire book here, and we wouldn't want that.
As for the characters, there is no lack of diversity, both in species and in nature. There is someone for every taste. From the adventurous human September and the learned wyverary A-Through-L, to the quiet marid Saturday and the quasi-omnipotent human Marquess. The supporting cast too is as different as the shapes and colours of the autumnal leaves. The characters are not at all flat despite the seeming archetype some befit upon their first appearance. There is as much more to the eye in Fairyland as there is in the characters.
But most of all, the story itself are fresh. Despite the many parallels with Alice in Wonderland, Pratchett, Gaiman, and many others, the book stands on its own. It recognizes its ancestors but creates something completely new. This is not a rip-off or an attempt at imitation. The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making is a masterpiece of its own. If you want to read something new and different, complex and simple, do not hesitate to pick this book. It will blow your mind.
The book in a quote
“When you are born,” the golem said softly, “your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk, and crusty things, and dirt, and fear, and knowing how bad things can get and what pain feels like. By the time you’re half-grown, your courage barely moves at all, it’s so grunged up with living. So every once in awhile, you have to scrub it up and get the works going, or else you’ll never be brave again.”